I am at the part of the book in which Loomis encourages the student to add 'blocky' shapes to the mix when making a face. And now studying these heads now have an angular approach to them, rather then an organically rounded approach. As long as Loomis doesn't encourage the 2D 'super-flat' approach, over the '3-D' drawing approach, I might learn to stop worrying and get my faces an achievement of "sense of bone and ruggedness of character."[Loomis]
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