This excellent entry in the ASIFA Hollywood Animation Archive blog goes into the how 'magical' doing a drawing can be to an unaware audience. He uses an example of a live painter, as well as this entertaining segment from Penn and Tiller, to make their case, whilst showcasing some stunningly simplistic illustrations from Olaf Gulbransson. It's worth a look.
This was originally intended as blog designed so that Andy Norton, a postgraduate in Creative Digital Media, could discuss his influences whilst working on a comic for his Creative Portfolio Development module on that master’s degree. Now, the blog is intended to share articles relevant to his interests, as well as his artwork (past and present), as an experience graphic designer, with a background in illustration and animation.
Showing posts with label Archive. Show all posts
Showing posts with label Archive. Show all posts
Saturday, 17 July 2010
Thursday, 10 January 2008
Felix Lorioux
Felix Lorioux was a popular French illustrator during the early 20th Century. His work has been uploaded on the ASIFA- Hollywood Animation Archive http://www.animationarchive.org/ but some of my favourite pieces of work from him can be found on this post http://www.animationarchive.org/2007/12/illustration-felix-loriouxs-fables-de.html

What I foud about his work that I like about it is the simplicity of the shapes used for the composition. The above image mainly used curves and circles for its composition, but is also to add in a lot of detail as well around the basic shapes, for example the wishing line that hangs between the chimney and a pole is subtle enough detail to make the pumpkin house real homely.

The simple composition skills also applies to the design of the characters. That is why I found this illustration of a fox and a stork such an appealing picture to look at.

Overall, I find his work a real inspiration for my own illustrations, as they maybe simply composed on the page, but the use of subtle detail in them makes them appealing.

What I foud about his work that I like about it is the simplicity of the shapes used for the composition. The above image mainly used curves and circles for its composition, but is also to add in a lot of detail as well around the basic shapes, for example the wishing line that hangs between the chimney and a pole is subtle enough detail to make the pumpkin house real homely.

The simple composition skills also applies to the design of the characters. That is why I found this illustration of a fox and a stork such an appealing picture to look at.

Overall, I find his work a real inspiration for my own illustrations, as they maybe simply composed on the page, but the use of subtle detail in them makes them appealing.
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