Italian Composer Ennio Morricone: I'll Never Work With Tarantino Again | Billboard
Tarantino is a bit of a love-hate figure in American contemporary cinema. Particularly, although not limited to, when it comes to choosing music for his films. Whilst picking vintage tracks has create some of crime cinema's most distinct scenes in recent history (Resevoir Dogs, Pulp Fiction), I can fully understand Morricone (The Good, The Bad, and The Ugly) getting a bit tired of him picking out his previous pieces rather then letting him produce original music.
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